The Hundred Pound No-Fly Zone

I have spent the better part of today trying to come up with a comfortable, secure, easy-on/easy-off/easy-on-again face mask that is: 1.) quick to construct, 2.) requires no, or minimal elastic, and 3.) supports a maximum load of significantly less than 100 pounds.

I had what I consider to be a brilliant design. Comfortable: check. Stays put: check. Easy to wear: check. Quick to make: check. Does not require elastic: check. BUT it fails the final criterion, and that’s a deal killer.

These masks I’m trying to figure out are going to a residential school where 25 of their students are sheltering in the only place they are allowed to be. Some of them can’t go “home” because “home” is where they got so messed up that there isn’t any other school that will take them. Some of them can’t shelter in place at home because their family has no home.

Despite the best efforts of the staff of this school, these kids are under-class citizens: under-served, under-nourished, under-educated, under surveillance, 24/7. For their personal protection during this lockdown — and hey, lockdown is nothing new to these kids — they’ve each been issued one cloth face mask, one size fits … most of them very poorly.

I was kind of excited when I learned that they really needed different masks. To think I could make a small but meaningful contribution! I got right on it and, BOOM! Here’s a great, doable, design. Except: It fastens with a slip knot at the end of a 30” cord. One of these kids has already tried to hang themselves with a scarf. So nothing I make that fastens around anybody’s head can be hefty enough to hold 100 pounds.

(There’s a 3-line poem somewhere in all of that.)

megan hicks

Storyteller Megan Hicks has a way with words.

Add her warm sense of humor and deep respect for anybody who is now or ever was a kid, and you've got an award-winning performer who captivates audiences of all ages and from all walks of life.

The lack of a paying audience didn't keep her from pursuing her career goals early: Megan belted out songs with her TV friends on "The Mickey Mouse Club," penned poems about her pet lizard, and started repurposing found objects to fashion toys that suited her imagination.

There was no where to go but up, and by the time she was 20, Megan was in the money, living in Australia and singing for tips with a group of local musicians. "You have to start somewhere," she points out.

Her first paid writing gig was in 1986, when she penned a feature for the State Fair insert of The Daily Oklahoman, and at about the same time she started making origami jewelry for a local gallery.

Today, Megan has earned an enviable reputation as a professional storyteller. She was featured as a New Voice at the National Storytelling Festival in 2011, and her credits range from small venues in rural America, to regional stages throughout the United States, and international programs on three continents.

Her awards include a Parents' Choice® Silver for the CD, "What Was Civil About That War…" which was also a 2005 Finalist for an Audies® award in the category of Best Original Work. She received the Parents' Guide to Children's Media Award for "Groundhogs Meet Grimm," a collection of her original parodies that was also tapped for Honors by NAPPA.

Megan is a sought-after workshop presenter and seminar leader, with credits at Florida StoryCamp, the Northlands Storytelling Conference, Sharing the Fire, the National Storytelling Conference, the Virginia Library Association, and ElderStudy, among others.

Her performance and presentation draw praises wherever she goes, and she takes her love of whimsy with her as she creates new stories and adaptations, and discovers new purposes for the "found objects" that continue to inspire her ingenuity."