Today's barbaric yawp

If I haven't called or written lately, here's why:

Whenever I sit down to write, whether privately to friends or in a more public forum such as this one, where, who knows? maybe tens of readers will see it, I feel myself shrugging off the frame of mind and the interior monologue — No. Let’s call it like it really is: I carry on a running dialogue with myselves. — the interior dialogue that keeps me company all day every day; and I shrug myself into my Company Manners: Posture, Mindset, Discourse. Today, I have tried to come to the keyboard “just as I am” — Does anybody else remember that dirge we used to sing during the altar call at the end of a church service? I tried to come in here and sit down and just write without too much reflection what’s on my heart, but as soon as my fingers started to skate over the keyboard, I began to cry and the crying doesn’t want to stop. It’s not loud. Not even that snotty. Just wet all down my face. And I’m not sure what it is that I’m crying about, except that feels like a release.

I’ll be the first to admit that it doesn’t take much to convince me that the sky is falling. In the tradition of my people, I am quick to entertain conspiracy theories. Good thing I living with someone whose mantra is “It should be fine.” He infuriates me with that attitude. But I know he’s right. Everything always has worked out, even better than I ever hoped or imagined. I look out my office window at these ENORMOUS trees, and feel overwhelmed to be living smack in the middle of an enchanted forest, a Hundred Aker Wood right outside the front back, and side doors. I am healthy. So are my family and all my friends. I want for nothing. So I’m curious — what’s with these tears?

Crying doesn’t scare me. It doesn’t always mean I’m hurt or broken. But there sure is something going on that’s bigger than me and deeper than I can fathom.

When I was first getting used to the idea of isolating in place I had visions of Getting Shit Done! Maybe I’d finally read The Idiot. Or I’d watch, in chronological order, all the films of the French New Wave. I would emulate Samuel Pepys and journal about The Pandemic. I’d learn chip carving. I would figure out what I had to do to make a decent storytelling video where the sound didn’t suck and where I didn’t look like a sun-burnt ghoul. And I would write letters. Tons and tons of letters. I would organize my kids’ baby photos from 40 years ago. And I would find recipes for kale that I actually looked forward to consuming.

Well, I sent out a few postcards in late March/early April. Dusted off my sewing machine. Put some plants in the ground in the front yard, and I have spent hours just watching them grow. That’s about it.

This is not a time of business as usual. Or ambition. Or output. I hope maybe before too long I’ll see a road sign that points “This Way.” And I hope that my way is paved and landscaped and populated with words. Spoken. Written. Doesn’t matter. What does matter is that I make them true. Unvarnished. No shrugging off. No putting on.

For now, I am strangely at peace not knowing what these tears are about.

megan hicks

Storyteller Megan Hicks has a way with words.

Add her warm sense of humor and deep respect for anybody who is now or ever was a kid, and you've got an award-winning performer who captivates audiences of all ages and from all walks of life.

The lack of a paying audience didn't keep her from pursuing her career goals early: Megan belted out songs with her TV friends on "The Mickey Mouse Club," penned poems about her pet lizard, and started repurposing found objects to fashion toys that suited her imagination.

There was no where to go but up, and by the time she was 20, Megan was in the money, living in Australia and singing for tips with a group of local musicians. "You have to start somewhere," she points out.

Her first paid writing gig was in 1986, when she penned a feature for the State Fair insert of The Daily Oklahoman, and at about the same time she started making origami jewelry for a local gallery.

Today, Megan has earned an enviable reputation as a professional storyteller. She was featured as a New Voice at the National Storytelling Festival in 2011, and her credits range from small venues in rural America, to regional stages throughout the United States, and international programs on three continents.

Her awards include a Parents' Choice® Silver for the CD, "What Was Civil About That War…" which was also a 2005 Finalist for an Audies® award in the category of Best Original Work. She received the Parents' Guide to Children's Media Award for "Groundhogs Meet Grimm," a collection of her original parodies that was also tapped for Honors by NAPPA.

Megan is a sought-after workshop presenter and seminar leader, with credits at Florida StoryCamp, the Northlands Storytelling Conference, Sharing the Fire, the National Storytelling Conference, the Virginia Library Association, and ElderStudy, among others.

Her performance and presentation draw praises wherever she goes, and she takes her love of whimsy with her as she creates new stories and adaptations, and discovers new purposes for the "found objects" that continue to inspire her ingenuity."