A "meh" review made my day

My older granddaughter has made my day twice this week. Once when my son texted to say he had just overheard her singing a song I made up for the new story I video recorded for her and put up on YouTube a few days ago. It was catchy enough for her to recall and sing, out of context! He told me she hadn’t made it all the way through the story yet, but she did remember the song. I couldn’t have been more delighted.

The story I recorded is one her dad used to love — The Old Woman and the Red Pumpkin, by Betsy Bang and Molly Garrett Bang. It was one of his favorites from toddler-hood †o grade-school. I gave Teagan a copy of the book for Christmas, and it cycles in and out of her bedtime story rotation. So I thought it would be a natural for The Teagan Show, which is what I’m calling the little story videos I send her. For telling instead of reading, I have done a mashup of my favorite bits of all the different versions of the story I could find and added a few condiments of my own.

So this morning my son texts to tell me she’s finally settled down to watch the whole story in one sitting, and that when they’re done, he’d like to debrief me on how it went.

Ten minutes later he called. Here’s the gist of my granddaughter’s review: She liked it okay. And the song is fun. But what she really likes, is real stories. (?) Like the first one I recorded for her. That was a story she had never heard before, The Little Rooster and the Diamond Button — Margaret Read MacDonald’s version from 20 Tellable Tales, complete with crowing and flapping and fist-pounding. My recent story, which I have titled The Singing Pumpkin, was all right, but it wasn’t real because she already knew it.

Why was I so inordinately delighted by my granddaughter’s tepid response to my latest effort to share stories with her? Well… She had an opinion, and it was a reasoned one. Also, she was paying attention. I think I might have been a sophomore in high school before I had to “compare and contrast” two stories or concepts or ideas; it wasn’t until I was a senior that I actually understood what “compare and contrast” meant, and even then I had a hard time doing it. Most important: She is giving me direction. I have a better handle on what kind of story telling, as opposed to story reading, engages her imagination.

Next up on The Teagan Show: The Shoemaker and the Elves. It’s about 4 minutes long. She doesn’t own it in book form. I remember that from the time I was four and my mom read the Little Golden Book version of this story to me until right this minute, it’s been magic. Maybe Teagan will think so, too. Maybe not, but that’s not the point.

I feel a deep dive coming on … nursery tales.

megan hicks

Storyteller Megan Hicks has a way with words.

Add her warm sense of humor and deep respect for anybody who is now or ever was a kid, and you've got an award-winning performer who captivates audiences of all ages and from all walks of life.

The lack of a paying audience didn't keep her from pursuing her career goals early: Megan belted out songs with her TV friends on "The Mickey Mouse Club," penned poems about her pet lizard, and started repurposing found objects to fashion toys that suited her imagination.

There was no where to go but up, and by the time she was 20, Megan was in the money, living in Australia and singing for tips with a group of local musicians. "You have to start somewhere," she points out.

Her first paid writing gig was in 1986, when she penned a feature for the State Fair insert of The Daily Oklahoman, and at about the same time she started making origami jewelry for a local gallery.

Today, Megan has earned an enviable reputation as a professional storyteller. She was featured as a New Voice at the National Storytelling Festival in 2011, and her credits range from small venues in rural America, to regional stages throughout the United States, and international programs on three continents.

Her awards include a Parents' Choice® Silver for the CD, "What Was Civil About That War…" which was also a 2005 Finalist for an Audies® award in the category of Best Original Work. She received the Parents' Guide to Children's Media Award for "Groundhogs Meet Grimm," a collection of her original parodies that was also tapped for Honors by NAPPA.

Megan is a sought-after workshop presenter and seminar leader, with credits at Florida StoryCamp, the Northlands Storytelling Conference, Sharing the Fire, the National Storytelling Conference, the Virginia Library Association, and ElderStudy, among others.

Her performance and presentation draw praises wherever she goes, and she takes her love of whimsy with her as she creates new stories and adaptations, and discovers new purposes for the "found objects" that continue to inspire her ingenuity."